On location for shooting the Death of Dariya sequences
For the day of the Dariya shoot we had a 9:00am crew call: in addition to Eli on camera and myself as director, Eric was back to his lighting magic, supported by Jason and Justin; our post-production gal Jen had her first day on-set as a production assistant; Phoebe was assistant director as usual; Jana was costume and makeup supervisor but (due to her on-camera obligations) the makeup application itself was handled by Sara with the help of James. The bulk of the morning was spent hanging lights and redecorating the conference room to be a makeshift emergency room, while the cast entered at staggered times to meet their respective costume and makeup needs.
From a post-production standpoint, large-scale shoots like the Death of Dariya are more challenging to structure. The typical post-production workflow (handled in Adobe Bridge) separates the thousands of photos in our catalog by shoot date, for easy-to-find sorting chronologically. The downside is encountered when we do large, all day shoots, because shooting 20+ pages in a single day and trying to sort through 200 photos for the right 4-5 on each page is a tiresome process. Instead, for substantive shoots like this I break the scene down into smaller sequences, based on character entrances/exits and changes in action. In this way, a large segment like the Death of Dariya becomes the equivalent of six smaller shoots, each one spanning 2-4 pages and containing 20-30 photos.