On how the story of “Maternal” developed from a big picture to a defining moment.
I had wanted to write and direct a vignette for NIGHT ZERO since I started working as assistant director on the project. Last winter, when we were shooting the “Three Speeches” with the military, messengers, and skullhunters, we brought in so many talented people to play extras, and we realized some of them could star in vignettes that would broaden and enrich the core NIGHT ZERO story.
My friend Chris Allen, a very talented improviser, came in for the Military Speech shoot and I decided I wanted to write my first NIGHT ZERO script with him at the center. Originaly I planned on writing it for the big battle coming up in episode six, when the city has collapsed and the soldiers and messengers are trying to evacuate the civilians to safety among scratchers and skullhunters. The idea I had was that Chris’s character (eventually named Darren) had become haunted by the memory of his sister after he killed her when she became infected on night zero.